The menu
Eight ways to hire us. If you're after a ninth, there's one. The tenth is weddings, and no.
-
Finished spot
One idea, one script, one piece ready to air. All you have to do is approve it. And pay for it, that too.
- Idea and script
- Voices, music and sound
- Horizontal and vertical
-
Pitch film
For agencies. Your idea on film before anyone signs it off. If they don't, it never existed.
- Under your name or ours
- Ready for Thursday's meeting
- You take the applause
-
Brand characters
A character of your own that keeps the same face from shot to shot. And from one campaign to the next. And never asks for a raise.
- Character design and its bible
- Reusable in every campaign
-
Versioning
One campaign, in every format and language you need. With the same face in all of them.
- Horizontal, vertical and square
- Voices in other languages
- Adapted to each market
-
Previz
See your film before you rent the first truck. And decide whether you really need to rent it.
- For production companies and real shoots
- From script to scenes you can watch
-
Brand film
Your company, told like a film. No drone, no ukulele, nobody pointing at a screen.
- Brand presentations
- Products that don't look like a catalogue
-
Screens and events
Images for giant screens that hold up at that size. And in front of the first row.
- Custom formats
- Openers and stages
-
A lie a month
New pieces every month, same crew, same voice. Like a series, only it stars your brand.
- For brands that never stop posting
- The crew is the two of us. There's no rotation
What you see doesn't exist.
What you feel does.
Tell us the idea and we'll give you a fixed price. Actually fixed.
Tell us your lieHow a lie gets shot
- 01
You tell us your lie
By email or on a call. Whatever you've got, even a napkin. The napkin ones tend to be the best.
- 02
We tell you how we'll shoot it
Tone, script, fixed price and schedule. In writing, so nobody gets surprised.
- 03
We shoot it
You see progress and say what you think. How many rounds of changes there are gets agreed before we start, not halfway.
- 04
We hand it over
In the agreed formats, with the rights in writing. And nothing ever happened.
What you get besides the film (the boring but important part)
- Usage rights in writing: where, for how long and in which media.
- Signed permission from any recognisable person who appears.
- Music and voices licensed for what you'll actually do with them.
- The AI-generated content notice, sorted wherever the law requires it.
- Confidentiality: nothing gets shown until you say so.
What people always ask
How much does it cost?
It depends on what has to be shot. Tell us the idea and we'll give you a fixed price. Fixed means fixed.
Who owns the rights?
Agreed in writing before we start: usage, media, territory and term. No small print. We lie enough as it is.
Do I have to say it was made with AI?
Where the law requires it, yes, and we'll sort it out with you. We always say so: it's our trade, not our secret.
Can you tell?
You tell us. None of these five films ever happened.
Can you use my product and my people?
Yes: your real product, in a world that isn't. Real people only with their signed permission.
Will you sign an NDA?
Yes. We lie like hell, but we don't talk.
What if there are only two of you?
That's the point. The person who answers the phone is the one directing, and if one goes down, the other carries on.
Do you do weddings?
No. Not even your sister's.
Weddings, no. Anything else, let's talk.