This is a film studio built on artificial intelligence. We shoot spots, series and shorts about things that don't exist, for brands, agencies and people with strange ideas. If you believe it, we did our job.
The cast
Yes, De la Verga. Look it up. On second thought, don't.
We're Nacho and Eloy. As kids we kept starting things that were never meant to work: first stupid stuff, then really stupid stuff. Almost none of it worked. One thing did, somebody paid for it, and we've been doing the same ever since. Only now there are invoices.
We make cinema with artificial intelligence and we take it very seriously: script, light, editing, sound and the colour of every single shot. We skipped the sound stage, the trucks and the three-hour wait between takes. The only thing we miss is craft services.
What we shoot
Spots people watch to the end without being tied to the chair. And then remember who they were for, which is the hard part.
Your company, told like a film. No drone over the warehouse, no ukulele, no guy in a suit pointing at a screen. Enough of that shit.
Pilots, episodes and shorts that would cost a kidney on a normal shoot. Here they cost a good idea and a lot of sleepless nights.
If it isn't here, you just haven't asked yet.
Fine, but why you?
Because we shoot what can't be shot. A theatre packed with people who don't exist. Granada, one night in 1492. A porcelain woman who cracks while she heals someone else.
And because the person who answers the phone is the one directing. There are two of us: no account managers, no departments, nobody else to blame. Believe us, we've tried.
Who we shoot for
We get it: that's how we started. Still are, just with better lighting.
You promised the client a dragon and the meeting's on Thursday. Relax. Breathe. Call us.
You've never told anyone because it's embarrassing. Those are the good ones. The really embarrassing ones are gold.
Nacho García-Fontecha · Director and producer
Legend has it he has never said no to an impossible shot. It's true, and it's a problem. He designs, produces and, if a one-eyed pirate is needed, puts the patch on before anyone has to ask twice.
Eloy Ruiz de Loizaga · Director and cinematographer
Legend has it he can spot a badly placed light from the far end of a theatre that doesn't exist. He directs, lights and decides when a lie is ready, which is usually three versions after the one with the beard says it's done.